“Bollywood filmmakers are brought up in Bandra and Juhu; hence, they are making films like that", says Allu Arjun’s father, Allu Aravind

At the South India Film Festival, renowned Telugu producer Allu Aravind, father of actor Allu Arjun, shared his perspective on the declining popularity of Hindi cinema. His sharp critique focused on how Bollywood filmmakers are limiting their creative reach, which he believes is a key reason behind the industry's struggles to connect with a broader Indian audience.The Bandra-Juhu Confinement

Allu Aravind didn’t hold back when expressing his views on Bollywood’s current state. "Bollywood filmmakers are brought up in Bandra and Juhu; hence, they are making films like that," he said, pointing to the geographical and cultural bubble that influences the filmmakers. Bandra and Juhu, two affluent neighborhoods in Mumbai, are synonymous with Bollywood’s elite. These areas, often seen as the heart of the industry, have shaped the personal and professional outlooks of many filmmakers, according to Aravind.

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However, this focus has led to a disconnection with the rest of India, particularly with audiences outside metropolitan areas. Aravind believes that Hindi cinema’s failure to connect with mass markets stems from the fact that filmmakers are not addressing the concerns, culture, and stories of a larger demographic.

"They are locked between Bandra and Juhu! They need to realize that UP and Bihar are also there," he said, emphasizing that Bollywood filmmakers must widen their vision and consider the cultural diversity of India. He highlighted how South Indian films, particularly from Telugu and Tamil cinema, have become increasingly popular in regions traditionally dominated by Hindi films, like Uttar Pradesh and Bihar. "Why are films made in Telugu and Tamil being more liked by the Bihar and UP people? This is because of the content."

Regional Films on the Rise

Allu Aravind attributes the success of South Indian films in Hindi-speaking regions to their relatable content. In recent years, Telugu and Tamil films have grown in popularity across India, breaking language barriers with dubbed versions and creating an undeniable pan-Indian appeal. Films like Baahubali and *Pushpa* are perfect examples of how regional stories have resonated with audiences far beyond their home states.

Aravind pointed out that regional filmmakers, particularly in Telugu and Tamil cinema, are not constrained by a specific cultural lens, making their films accessible and relatable to a wider audience. These filmmakers understand the pulse of the masses and are producing films that connect emotionally and narratively with people from various regions.

"Now, the gates are open. The material, which is being produced in this part of India, is being received very well by audiences all-India. Our dubbed films are, in fact, too well-received there (in Hindi-speaking markets). This means that the content made here is appealing there," he remarked. This shift in audience preferences reflects the changing dynamics of Indian cinema, where regional films are no longer considered niche, but mainstream hits.

The Future of Hindi Cinema

While Aravind's critique of Bollywood filmmakers was blunt, he did acknowledge that some Hindi filmmakers are starting to adapt. "I spoke to a couple of people (in the Hindi film industry)... They have realized and are trying to make films that appeal to a larger audience," he said. This shift is crucial for Bollywood if it wants to regain its dominance in the Indian film market.

However, Aravind warns that this adaptation may take time. He believes that Hindi filmmakers need to break free from the cultural confinement of Bandra and Juhu and create content that appeals to audiences beyond urban elites. If they can do this, Bollywood could once again produce films with mass appeal, similar to how regional industries are currently thriving.

"There's no separate love for us," Aravind added, stressing that Indian audiences do not favor films based on language or region, but on the strength of the content itself. The success of South Indian films in Hindi-speaking regions proves that relatable, well-told stories can bridge regional and linguistic divides.