Highest 2 Lowest Movie Review: Denzel Washington and Spike Lee reunite in a thrilling moral tale

Highest to Lowest review

‘Highest 2 Lowest,’ directed by Spike Lee, was released on 5th September on Apple TV+ and stars Denzel Washington, Jeffrey Wright, Ilfenesh Hadera, A$AP Rocky, and Aubrey Joseph.)

A classic story reimagined

Spike Lee’s ‘Highest 2 Lowest’ is the kind of film that feels both familiar and fresh. It borrows its skeleton from Akira Kurosawa’s ‘High and Low’ but dresses it up in the sounds, sights, and tensions of modern-day New York.

The reunion of Spike Lee and Denzel Washington gives the film extra weight, but it never feels like it is coasting on nostalgia. Instead, Lee uses Kurosawa’s film’s story to explore the moral choices of today, when fame, money, and public opinion move faster than conscience.

The film has the swagger you’d expect from him but also a steady seriousness that keeps you hooked. It’s a film that acknowledges the past but is firmly rooted in the present, asking whether old dilemmas still carry the same sting in a new world.

The energy is classic Spike Lee—urgent, restless, and unwilling to let the audience sit back comfortably.

A kidnapping that tests morality

At the center of the story is David King (Denzel Washington), a music mogul at the top of his game. He has built an empire, but beneath the gloss of success lies pressure, competition, and the struggle to stay relevant. His life takes a shocking turn when he believes his own son, Trey (Aubrey Joseph), has been kidnapped.

A ransom demand arrives, and King is forced to weigh his wealth and reputation against the life of a child. The twist is that the kidnapped boy isn’t his son at all—it’s the child of his loyal chauffeur, Paul (Jeffrey Wright).

This revelation deepens the crisis, turning what seemed like a personal nightmare into a painful moral test. The police investigation adds another layer, as detectives dig into the motives behind the crime and reveal how resentment, class, and desperation shape the choices of everyone involved.

Spike Lee’s social lens on NYC

What makes the film stand out is the way Lee mixes thriller tension with his love of social commentary. New York itself feels alive on screen, not just as a backdrop but as a city filled with history, inequality, and noise.

The editing keeps things tight, with a pace that shifts from slow burn to urgency, but Lee still leaves space for his trademark cultural touches. At times, he tries to say too much, and a few of the references feel a little heavy-handed, but the core of the film is strong.

It keeps circling back to the same question: what does it mean to do the right thing when the costs are high and the world is watching? Lee’s gift is in making a moral problem feel like something playing out on every street corner, not just in the life of one wealthy man.

Strength in every role

Washington anchors the film with quiet authority, portraying a man whose confidence slowly gives way to doubt with every decision he faces. Jeffrey Wright, as the devoted driver, brings steady presence and subtle depth, grounding the story in humanity amid the tension. Ilfenesh Hadera as Pam, David’s wife, delivers emotional resonance, while A$AP Rocky adds energy and cultural texture, keeping the narrative firmly rooted in today’s world.

Spike Lee gives each actor moments to shine, ensuring their performances feel natural and earned. The tension and drama don’t come from the plot alone—they come from how the cast makes us feel the weight of every choice. The ensemble works because it feels like people caught together in the same storm, not just actors performing roles.

A film that demands reflection

‘Highest 2 Lowest’ feels less like a remake and more like a new conversation. It respects the Kurosawa original but doesn’t copy it, choosing instead to place the story in a world of celebrity, privilege, and public reckoning. It works as a thriller—you stay invested in the twists—but it also asks tough questions about what people owe each other when lines of class and wealth are drawn so sharply.

It’s not a perfect film, but it is a film with conviction, energy, and a moral weight that lingers. For all its rough edges, it is a film that demands to be seen and, more importantly, demands to be discussed.

The conversations it sparks might be its greatest achievement, proving that stories about morality and power still carry as much fire today as they did six decades ago.

Rating: 4/5