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Days at the Morisaki Bookshop: A book about books

Tucked away in Jimbocho, Tokyo, the Morisaki Bookshop is filled with hundreds of second-hand books, quietly and gently awaiting Takako’s awareness of them...

September 15, 2023 / 23:45 IST
The novel, which won the Chiyoda Prize, evokes all our favourite second-hand bookshops. (Photo by Malte Luk via Pexels)

Japanese writer Satoshi Yagisawa’s novel Days at the Morisaki Bookshop will lay you down gently in a comfortable hammock just where the sea breeze can catch you. It takes you back to all your bookly emotions, where the written word becomes seen, heard and felt, fusing with a personal past, and very soon then able to take you into many imagined futures, every one of them open-ended.

Days at the Morisaki Bookshop by Satoshi Yagisawa Days at the Morisaki Bookshop by Satoshi Yagisawa

Translated by Eric Ozawa and recently published by HarperCollins, the story is deceptively simple – almost in YA mode – and narrated without much fuss, a linear telling that only complicates itself with necessary truths that are comforting and poignant. But first there is Takako, a young woman going through a mandatory heartbreak after a workplace romance. Into this narrow achy-breaky space squeeze a whole lot of old books like only old books can.

Yagisawa sets the stage in an old used-books shop where dusty classics jostle with second-hand bestsellers. Like a person falling in love for the first time, young Takako slowly and sweetly wakes up to her new home, its walls made of books, in a bookshop owned by her family and run by her eccentric uncle Satoru. Like Heidi long ago in a hay loft, Takako snuggles into the pages of a new book yet to be read every night. She discovers along the way eternal truths, befriends and declares fierce favourites among authors.

As Satoru, puzzling over a wife who had abruptly left one day, and Takako, whose boyfriend has dumped her most casually, go about running the bookshop, the pages of the books themselves send out a healing energy, chapter by chapter, tale by tale.

Tucked away in Jimbocho, Tokyo, the Morisaki Bookshop is filled with hundreds of second-hand books, quietly and gently awaiting Takako’s awareness of them. As the Translator’s Note says: ‘In the course of the story, he (the author) catalogs the many pleasures of reading: the joy of discovering a new author; the hedonism of staying up too late to finish a book, the surreptitious thrill of getting to know someone by reading their favourite novel; and the freedom of walking into a bookstore and scanning the titles, waiting for something to catch your eye.’

Perhaps it is the advent of Kindle and e-books that now brings an illicit thrill to holding a book and inhaling its scent and the feel of old paper touched by so many before us. All the touchy-feely aspects of a book, the life lessons, the self-help aspects hidden deep in beloved stories, word play, translations, prize-winning text, old classics and the peculiar intoxication of language itself…

The novel, which won the Chiyoda Prize, evokes all our favourite second-hand bookshops, be it the Daryaganj open market in Delhi on a Sunday, Moore Market in Chennai or the Blossoms stores in Bengaluru’s Church Street. That jump of the heart when confronted with books piled up anywhere. As the Waterstones bookshop poster says: ‘Words cannot do justice to the pleasures of a good bookshop. Ironically.’

Shinie Antony
Shinie Antony is a writer and editor based in Bangalore. Her books include The Girl Who Couldn't Love, Barefoot and Pregnant, Planet Polygamous, and the anthologies Why We Don’t Talk, An Unsuitable Woman, Boo. Winner of the Commonwealth Short Story Asia Prize for her story A Dog’s Death in 2002, she is the co-founder of the Bangalore Literature Festival and director of the Bengaluru Poetry Festival.
first published: Sep 15, 2023 11:44 pm

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