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HomeEntertainmentExplained - How Mahavatar Narasimha made at a modest budget of Rs 40cr won audiences and went on to collect a whopping Rs 249 cr

Explained - How Mahavatar Narasimha made at a modest budget of Rs 40cr won audiences and went on to collect a whopping Rs 249 cr

Mahavatar Narasimha has emerged as a landmark for Indian animation, turning a modest Rs 40 crore budget into a box office phenomenon nearing Rs 249 crore. Rooted in the Vishnu Purana and told through stunning visuals, it balances myth with emotional depth, winning over families and faith-driven audiences alike.

September 15, 2025 / 17:25 IST
Mahavatar Narsimha

At face value, Mahavatar Narasimha looks like a bold bet, an animated feature aiming for a mainstream, pan-India audience. In practice, it worked because it fused devotional storytelling with clear, contemporary craft choices, world-building, music, and scale, without losing emotional clarity.

Film's director Ashwin Kumar has been consistent about the film’s guiding principle: technology serves the story, not the other way around.

In an earlier exclusive interview with Moneycontrol, Ashwin underlined the limits of tech hype: "The one place I really feel AI lacks is a soul… it cannot tell a story; it does not know if it's a good story, a bad story, or a story that is touching you."

That ethos is visible throughout the film, the sets feel designed to elevate bhakti and moral conflict rather than to simply dazzle.

In the review of Mahavatar Narasimha, Moneycontrol called it a “moving mythological story” that children shouldn’t miss.

The movie also widened the theatre-going base beyond core devotees and animation enthusiasts to families and casual viewers. Many experts think that the surprise element also worked in the film's favour, along with the good word of mouth.

Director Ashwin Kumar told Moneycontrol he anticipated noise but was still taken aback by the scale of the response: “I knew it was going to make a stir but this is surreal.”

Surprise wasn’t accidental

The movie's promotions leaned into cultural resonance, like hosting a rare success celebration at the ISKCON  temple in Juhu, Mumbai. Plus it also reinforced word-of-mouth among communities where legitimacy matters more than slick trailers.

Then there’s strategic backing and universe thinking. Producer Shilpa Dhawan’s revelation, Hombale backing the entire Mahavatar universe, signalled confidence to audiences and exhibitors alike, turning a single title into a promise of continuity.

By late August, the film inched towards Rs 300 crore worldwide, cementing it as the benchmark for Indian animation.

Finally, clarity of authorship mattered. When a filmmaker publicly says tech is a tool and soul is the differentiator, it sets a north star for collaborators and marketing alike.

As Ashwin put it, AI can 'mimic the skills' but not the heart; Mahavatar Narasimha beats the heart and wins.

It worked because it respected the myth, prioritised feeling over fireworks, marketed with cultural intelligence, and projected a future (the Mahavatar universe) that audiences wanted to invest in.

Mahavatar Narasimha is a 2025 animated mythological epic directed by Ashwin Kumar, produced by Kleem Productions and presented by Hombale Films.

Mahavatar Narasimha — Weekly Box Office (India Net)


Figures are media-reported estimates and may be revised.

WeekIndia Net (₹ crore)Cumulative (₹ crore)
Week 144.7544.75
Week 273.40118.15
Week 370.20188.35
Week 430.40218.75
Week 519.50238.25
Week 68.20246.45
Week 72.70249.15
Total (through Week 7): ₹ 249.15 crore (India Net)
Source: Sacnilk — Mahavatar Narsimha Box Office (Day-wise & Week-wise, all languages).

It's based on stories from the Vishnu Purana, Narasimha Purana, and Shrimad Bhagavata Purana. The narrative centers on the tyrant Hiranyakashipu, his son Prahlad's devotion, and the avatar of Lord Vishnu (Narasimha) who emerges to restore dharma.

Released on 25 July 2025 in multiple Indian languages and in 3D, it represents a strong push to scale up Indian animated cinema.

Sarika Sharma
Sarika Sharma is Editor, Entertainment, MoneyControl.com. She has over 25 years of experience in the field of entertainment journalism.
first published: Sep 15, 2025 05:18 pm

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