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HomeEntertainmentOTTMirzapur 3 ending explained: Post-credits scene, and how Kaleen Bhaiya, Guddu Pandit, Gajgamini Golu Gupta hurtle towards an explosive end
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Mirzapur 3 ending explained: Post-credits scene, and how Kaleen Bhaiya, Guddu Pandit, Gajgamini Golu Gupta hurtle towards an explosive end

Mirzapur Season 3 ending and post-credits scene: Mirzapur 3 ends with murder, mayhem, and an important realisation. Don't miss the post-credits scene - it hints once again that the future Baahubalis of Purvanchal could indeed be the women.

July 05, 2024 / 10:27 IST
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Mirzapur Season 3 ending and post-credits scene confirm that the struggle for power and untold wealth will never end - with new contenders emerging as older ones die or are sidelined in the Prime Video series. (Image credit: Instagram/Prime Video India)

Mirzapur Season 3 post-credits scene and ending explained: Mirzapur became a runaway hit when it first dropped on Amazon Prime Video in 2018. Season 2 of Mirzapur, too, had audiences rapt. In Mirzapur Season 3, we get much more of the same explosive combination: an intense power struggle, obscene amounts of money and power, and a body count that rises at an alarming rate and in alarming ways. But there's something more substantial at play here, too: Family ties. Mirzapur began with the antics of the lovely Pandit family. By the end of Mirzapur 3, this family and its members are broken in more ways than before and Guddu (Ali Fazal) finds his anchor in the only real family he has left. A post-credits scene in Mirzapur 3 also hints at a fourth season of Mirzapur, where the women will likely lead - possibly with a much bigger role for Bina Tripathi played by an excellent Rasika Dugal.

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Mirzapur Season 3 post-credits scene

Mirzapur Season 3 has 10 episodes. At the end of the 10th episode, fast-forward to roughly 51:40 minutes for the post-credits scene. It's shot in what looks like a labour camp. An erstwhile Tripathi family loyalist makes his first appearance this season in this scene, which also hints at Bina's growing unease in her role as the submissive - and exploited - lady of the house, as well as her growing ambition to take over the multi-crore business and all the power that comes with it.