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HomeNewsTrendsEntertainmentIn Season 2, Asur remains a plucky, audacious show that attempts to mix science and faith 
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In Season 2, Asur remains a plucky, audacious show that attempts to mix science and faith 

An unlikely hit with an ambitious first season, Asur in its second coming retains its oddball charms.

June 04, 2023 / 21:08 IST
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In Asur 2, we see Dhananjay, played by Arshad Warsi, at a monastery, licking his wounds, resigned to a life of withdrawal. (Screen grab)

In a scene from the second season of Asur, Shubh, the child genius at the heart of the show’s ritualistic provocations, debates the guru of an ashram. It’s a conversation that veers through the obvious, but remains committed to a vedic-sounding manual. Later in the same season, Shubh speaks to a scientist about Artificial Intelligence (AI). The predictive principles that AI has been built on are seamlessly translated to the mythological perception of the past and the future. It’s an audacious evolutionary step in the world of the show that tries to root the advent of AI in mythology. Incredibly, the show just about pulls it off, highlighting why it became a cult hit in the first place. In its second season, Asur may have lost some of its novelty but its desire to punch well above its weight, claw at potentially provocative material and stay committed to the daftness of the age-old, derivative, good vs evil narrative, makes it all the more unique and watchable.

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In its second season Asur returns with things on a knife-edge from the start. Nikhil (Barun Sobti) is still trying to recover from the loss of his daughter, something he, in his own way, enabled. Dhananjay, played by Arshad Warsi, is away in a monastery licking his wounds, resigned to a life of withdrawal. Rasool, revealed in the first season’s finale to be part of Shubh’s coterie of violent evangelists, continues to play the sly technician blindsiding the CBI from within. Thankfully, the show retains its desire to place forensic science and mythological allegories at the heart of the show’s structure. Clues are cracked via literature, while methods are canonically sourced from the space of medical jargon. It might make the show repetitive but rarely does it drag.

Much like the formative season - daring for its ideas and somewhat passable for its direction - there are obviously flaws here as well. The performances, though, have gotten better as Warsi and Sobti raise their games. A revolving door of characters introduced and then chalked off adds to a sense of jeopardy in a show has never shied away from going for the jugular. In its first season, it exhibited an audacious gall to follow through on megalomania and religious fanaticism without creating a Mogambo-like caricature with ticks and catchphrases. Asur’s villainy is an encompassing ideal, instead, as opposed to an intimidating body. His secrecy is key. Scenes from Shubh’s adolescence further add to the mystery, even if it has somewhat dimmed over the course of two seasons.