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Triumph Bonneville in India first ride

Triumph Bonneville in India first ride

November 27, 2012 / 12:25 IST
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The aspirational value of a brand does not depend just on the quality or performance of its products, but also on the legacy they bear. For a fact, European manufacturers better the rest of the world in this regard by a considerable margin. There is a reason why most exotic car and motorcycle brands we aspire for today are European - they have a history of making legendary products that are popular even generations later.

A few years back when the Indian government allowed import of automobiles, European manufacturers were quick to set up shop. Most European car manufacturers came directly or through distributors, but not many motorcycle manufacturers have launched their products here. To make matters worse, European manufacturers like Ducati, BMW Motorrad and Aprilia who have entered the Indian motorcycle market have taken the expensive CBU route. European motorcycles have traditionally been expensive compared to their Japanese counterparts, and the CBU route has only made their pricing even more exorbitant for India.

Imagine our delight then, when we got news of Triumph finally announcing its Indian plans, with the promise of bringing sub-800cc motorcycles down via the CKD route. The iconic British manufacturer has mesmerised motorcyclists for decades and the news even delighted my father. I had a reason to be excited - who can forget the Speed Triple in Mission Impossible: 2? And then the boffins at Hinckley made the Street Triple, a smaller, more fun to ride version of the hooligan. When it comes to 600cc supersports motorcycles, who can forget the 675 Daytona, a motorcycle that has given the great fours from Japan enough reason to worry? But my father's reasons to be excited were different. He has always been a fan of classic machines - he's ridden his friends' BSAs and Triumphs in his youth and is a huge fan of those bikes. Little surprise then that he was excited about the classic-looking Bonneville coming to India as the most affordable Triumph. The Bonnie, as it is known affectionately, has in fact been a topic of discussion for thousands of enthusiasts ever since the news came through at the Auto Expo.

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In the OVERDRIVE office, the Bonnie's indicative pricing being a mouth-watering Rs 5.5 lakh, ex-showroom has caused enough buzz and we are already waiting for bookings to open. But sadly Triumph has been tight-lipped about its India plans after the Auto Expo. The British marque has left us waiting for updates about their India plans. The latest news is that Triumph India has signed an agreement for land near Kolar in Karnataka to begin its assembly operations for motorcycles above 800cc, which is not enough respite. Why Triumph India is quiet after the big bang at the Auto Expo is beyond understanding. Till date Triumphs have been those objects of desire that I have only been able to admire in images. On foreign trips I have seen them in the flesh and even heard them but nothing beyond that. Needless to say I have been waiting to ride the Bonnie given the aspirational value it holds, despite being the simplest of motorcycles. At the same time I have also been wondering what makes the Bonnie such as awe-inspiring motorcycle. Its classic styling? The effortlessness in riding? The smoothness of the parallel twin motor? Or its history?

The Bonneville is most certainly a legendary motorcycle. The bike was originally introduced in 1959, named after the famous Bonneville Salt Flats in the USA that is used for land speed record runs. The Salt Flats were in fact named after a US army officer named Benjamin Bonneville who explored the area in the 1830s. Production of the Bonneville was stopped in 1983, when the original Triumph Engineering shut shop. The all-new' or current Bonneville was launched in 2001 by Hinckley-based Triumph Motorcycles under new owner John Bloor. Though a completely redesigned and reworked motorcycle, the new Bonnie maintains the original motorcycle's classic styling and basic engine configuration but with new-age technology.


By Abhay Verma