When Mumtaz said Vyjayanthimala didn’t interact with her and commended Waheeda Rehman for her welcoming approach

Mumtaz elaborated that Vyjayanthimala’s reserved demeanor likely stemmed from the significant age and status difference between them. Vyjayanthimala was already an established star when Mumtaz entered the film industry in the 1960s. "Being a big star, Vyjayanthimala didn’t interact much with newcomers," Mumtaz noted, highlighting the challenges faced by those who were new to the industry. Despite Vyjayanthimala’s immense popularity and the affection audiences had for her, this aloofness created a barrier that many found difficult to cross.

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However, Mumtaz also spoke highly of other contemporaries who were more approachable. She particularly commended Waheeda Rehman, another iconic actress of that era, for her warm and welcoming attitude. Mumtaz shared, "Waheeda Rehman was very friendly and would always make you feel comfortable," contrasting Waheeda’s openness with Vyjayanthimala’s reserved nature. According to Mumtaz, Waheeda Rehman’s kindness and willingness to engage with everyone on set made her stand out as a more approachable figure in the film industry.

The interview also touched on some of the broader challenges that Mumtaz faced while working in films during that period. She recalled the difficulties of working on film sets that were often lacking in basic amenities. Mumtaz shared an anecdote about the filming of the song "Jai Jai Shiv Shankar," where she had to endure long searches for a washroom. "There were times when there was no washroom nearby, and I would have to take my hairdresser along to find one," Mumtaz recounted, highlighting the practical difficulties that actresses had to navigate during those times.

Vyjayanthimala, the first South Indian actress to make a significant impact in Bollywood, was already a celebrated figure by the time Mumtaz began her career. Starting her journey in Tamil cinema, Vyjayanthimala quickly transitioned to Hindi cinema, where she became one of the leading actresses of the 1950s and 60s. Her contemporaries included legendary names like Meena Kumari, Madhubala, Nargis, Suchitra Sen, Waheeda Rehman, Mala Sinha, and Nutan. Despite the fierce competition, Vyjayanthimala managed to carve out a unique space for herself, thanks in part to her exceptional skills as a classical dancer.

Mumtaz’s interview offers a glimpse into the complex dynamics of the film industry during its golden age. While Vyjayanthimala’s dedication to her craft was undeniable, it also meant that she often kept to herself, particularly around those who were less experienced or less established. "She was focused on her work and didn’t let anything distract her," Mumtaz remarked, acknowledging Vyjayanthimala’s unwavering commitment to her art.

Vyjayanthimala’s career is filled with iconic performances that are still celebrated today. Her portrayal of a rural girl in Ganga Jamuna (1961), a courtesan in Amrapali (1966), and an urban sophisticate in Sangam (1964) showcased her versatility as an actress. She also left an indelible mark with her dance performances in songs like Man Dole Mera Tan Dole, Main Ka Karoon Ram, and Honthon Pe Aisi Baat. These achievements cemented her legacy as one of Indian cinema’s greatest stars.

However, Mumtaz’s reflections also reveal the challenges of working in such a competitive environment. For younger actresses like her, establishing a connection with established stars was often difficult, especially when those stars were as focused and reserved as Vyjayanthimala. Despite the admiration and respect that Vyjayanthimala commanded, her aloofness made it hard for others to approach her.

In contrast, actresses like Waheeda Rehman, who were more open and friendly, played a crucial role in helping newcomers feel welcome in the industry. Mumtaz’s interview highlights the importance of these personal connections and the impact they had on her experience in Bollywood.