HomeEntertainmentChristopher Nolan says he would never work with Netflix, calls its release policy 'mindless' and harmful to theatrical cinema

Christopher Nolan says he would never work with Netflix, calls its release policy 'mindless' and harmful to theatrical cinema

Christopher Nolan’s refusal to work with Netflix has resurfaced, sparking fresh debate over theatrical cinema versus streaming, rooted in his blunt remarks from a 2017 interview.

December 18, 2025 / 13:29 IST
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Christopher Nolan says he would never work with Netflix, calls its release policy 'mindless' and harmful to theatrical cinema
Christopher Nolan says he would never work with Netflix, calls its release policy 'mindless' and harmful to theatrical cinema

Christopher Nolan’s long-standing resistance to working with Netflix has resurfaced once again, reigniting debate around the future of theatrical cinema versus streaming-first releases. The discussion traces back to a 2017 interview, where the filmmaker made his position clear in characteristically blunt terms.

“Why would you?” Nolan had said when asked about collaborating with Netflix. “Netflix has a bizarre aversion to supporting theatrical films. They have this mindless policy of everything having to be simultaneously streamed and released.”

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For Nolan, the issue has never been about technology or platforms alone. It is about what cinema is meant to be. He has consistently argued that films are designed to be experienced collectively, on the biggest screen possible, with sound and visuals calibrated for immersion rather than convenience. In his view, the theatrical window is not an outdated tradition but the backbone of the film industry’s creative and economic ecosystem.

Nolan’s criticism targets Netflix’s release model, which prioritises same-day streaming over exclusive theatrical runs. He believes this approach weakens cinemas and, by extension, limits the kinds of ambitious, large-scale films that studios are willing to back. “Theatrical exhibition is what has sustained the film business for a hundred years,” he has said in various interviews, stressing that removing that foundation risks turning cinema into disposable content.