Superman returns with $225 million reboot as DC’s future hangs in the balance

“We wanted to explore what Superman stands for today, not just who he punches,” Gunn said at the film’s premiere.

The movie also features classic characters such as Lois Lane and Lex Luthor—played by Rachel Brosnahan and Nicholas Hoult—along with Superman’s canine companion, Krypto.

Fans will also get a glimpse of Gunn’s broader vision for the DC universe through appearances by lesser-known heroes like Mister Terrific and Hawkgirl.

Also Read: Superman Movie Review: James Gunn moves beyond the legend to craft a Superman you can actually feel

While the film’s projected $125 million domestic opening would be considered a success on paper, Warner Bros. executives are hoping for much more.

They need Superman to launch a multi-year, interconnected franchise across film, television, animation, and streaming. It’s the first release under the new DC Studios division, co-led by Gunn and veteran producer Peter Safran.

The importance of this reboot extends beyond ticket sales. Warner Bros. Discovery CEO David Zaslav has called DC “one of the biggest value creation opportunities” for the company.

With Warner preparing to spin off its legacy cable networks, a revitalised DC brand will be central to the studio’s long-term strategy.

“There’s no more room for misfires,” one senior executive close to the project told Wall Street Journal. “Superman has to work—for DC, for Warner, for everything."

The reboot also marks a rare consolidation of creative control. For decades, DC properties were divided between competing departments, producers, and platforms.

Now, Gunn and Safran oversee all things DC across film, television, games, and merchandise—mirroring the model that made Marvel Studios under Kevin Feige a $32 billion juggernaut.

It’s a sharp turn from the past. Warner’s previous attempts to build a shared cinematic universe—starting with Zack Snyder’s Batman v Superman in 2016—suffered from creative disunity and polarizing tone. Meanwhile, films like Wonder Woman and Aquaman saw success but failed to unite the broader franchise.

Gunn’s appointment follows a rollercoaster career. Fired by Disney in 2018 over resurfaced tweets, he was hired by Warner Bros. for The Suicide Squad, then rehired by Disney to conclude the Guardians of the Galaxy trilogy. In 2022, Zaslav tapped Gunn and Safran for a clean-slate approach to DC.

Since then, the pair have paused or canceled multiple legacy projects, including a third Wonder Woman movie and a planned Black Superman story, in order to streamline DC’s future. Gunn has promised one animated and two live-action films annually, supported by a series of TV shows on HBO Max. A new Batman franchise and Justice League reboot are also in development.

“The history of DC has been chaotic,” Gunn said recently. “We’re bringing clarity, consistency, and heart.”

With Marvel experiencing box office stumbles—such as this year’s underwhelming Thunderbolts—Warner sees a rare window to strike. If Superman outperforms Marvel’s upcoming Fantastic Four: First Steps, it would mark the first time DC has led at the box office since 2008.

For now, the world watches. If the Man of Steel flies, so too might Warner Bros. If not, the studio could find itself once again rebuilding from the rubble.

(Original report by Wall Street Journal)