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Oscar Winners List 2025: How Indie films dominated the Academy Awards and trounced mainstream Hollywood

 The winners at the 2025 Oscars have proven that indie films are no longer just challengers—they are champions. With ‘Anora,’ and ‘The Brutalist,’ collecting eight awards between them, this year’s ceremony solidified the Academy’s shift toward bold storytelling and artistic risk-taking over spectacle.

March 04, 2025 / 08:29 IST
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Anora won the Best Film at Oscars 2025.

Sean Baker’s speech at the 97th Oscars wasn’t just an acceptance—it was a statement. As he took the stage to claim the Best Picture award for ‘Anora,’ he championed the rise of indie films, a message that felt perfectly timed on a night when indie cinema reigned supreme. Low-budget films didn’t just win; they dominated, leaving big-budget studio productions in the dust. ‘Anora,’ ‘The Brutalist,’ ‘A Real Pain,’ ‘The Substance,’ ‘Emilia Pérez,’ ‘Flow,’ and ‘Conclave’ all took home major awards, while only ‘Dune: Part Two’ and ‘Wicked’ managed to rescue Hollywood’s blockbuster pride. With ‘The Brutalist’ and ‘Anora’ alone sweeping up a combined eight trophies, the night belonged to indie films—a defining moment in the history of Oscar awards.

The turning point

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The rise of indie films at the Oscars can be traced back to 2017, when ‘Moonlight’ shocked the world by trouncing ‘La La Land’ for Best Picture. It was more than just a mix-up by Warren Beatty; it marked a turning point in the Academy’s voting trends, supporting independent films with powerful social themes over big-budget studio productions. This shift gained even more momentum in 2020 when ‘Parasite,’ distributed by Neon, made history as the first non-English-language film to win the Best Film award. Its victory sent a clear message—powerful storytelling could transcend language barriers and challenge Hollywood’s biggest studios. From there, the floodgates opened. ‘Nomadland,’ ‘CODA,’ and ‘Everything Everywhere All at Once’ solidified the indie wave and became a movement, proving that big-budget films weren’t just losing ground—they had every reason to be afraid.

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