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Ghich Pich film review: A tender tale of fathers and sons in a hypermasculine Indian filmscape
‘If I had not made Appuram, I would not be alive today ’: Indu Lakshmi
How this African escaped war to study cinema in India and went to Cannes
Sharmila Tagore: ‘Satyajit Ray felt women are more morally superior than men’
‘The great David Lynch wanted the spectator to be a detective’: Stéphane Ghez at Cannes 2025
Varun Grover on Kiss: ‘Censorship is a good challenge, I find my ways around it with a new language’
Hot Docs winner Vivek Chaudhary’s ‘I, Poppy’ is a potent telling of farmers trapped in the opium paradox
Miguel Gomes on ‘Grand Tour’ & colonialism: ‘I want the Western viewer to be a little lost’
On Ambedkar | Somnath Waghmare: ‘Chaityabhumi, Bhima Koregaon are my childhood memory & culture, I’m not an outsider’
On Ambedkar | Jyoti Nisha: ‘Root of Brahminical & Dalit patriarchy is same but Dalit men are slightly kinder, ours is a shared struggle’
Uttarakhand’s dammed & drowned village comes alive in Yashasvi Juyal’s epistolary elegy
Cannes Film Festival 2025: Neeraj Ghaywan is Homebound, 10 years since Masaan at Un Certain Regard
Tingl Belku review: Naresh Hegde Dodmari takes a slow look at drug abuse among Karnataka’s youth
CIFF 2025 | Little Thomas: Kaushal Oza debuts with a children’s feature, starring Gulshan Devaiah & Rasika Dugal
CIFF 2025 | Kaansya: Shakespeare meets Haryana’s akhadas in Aditya Watts’ debut feature
The post-PSBT story: Why two PSBT showrunners went indie to produce feminist & queer documentaries
Chaar Phool Hain Aur Duniya Hai review: Achal Mishra films Vinod Kumar Shukla & Manav Kaul in a cosy chat
Sridhar Rangayan: ‘The film industry & civil society have grown to be a bit more inclusive of LGBTQ voices’
Berlinale ‘Shadowbox (Baksho Bondi)’ review: Tillotama Shome pulls punches to power this Bengali drama on mothers & Others
Natesh Hegde on Vagachipani, first Kannada film at Berlinale: ‘Let me make my films; that’s the power I want’
IFFR 2025 | Lipika Singh Darai on ‘B and S’: ‘In times of crises & war, people forget to talk about tenderness’
IFFR 2025 | Suman Mukhopadhyay: ‘Never have my films been in circulation; I’m an in-between in Bengali film industry’
Amit Dutta, the little-known most famous Indian auteur: ‘The kind of films I make should be sought out, not thrust upon people’
‘Kumar Gandharva was not just a musical genius but also a profound scholar & thinker’: Amit Dutta & Kuldeep Barve
Sundance Film Festival 2025: Rohan Kanawade’s Sabar Bonda (Cactus Pears) is the silver lining queer cinema merits
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