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What’s the ‘Brahmin’ controversy & misogyny around IFFR 2025 NETPAC Award winner Varsha Bharath’s Tamil film ‘Bad Girl’: Explained
IFFR 2025 | Lipika Singh Darai on ‘B and S’: ‘In times of crises & war, people forget to talk about tenderness’
IFFR 2025 | Suman Mukhopadhyay: ‘Never have my films been in circulation; I’m an in-between in Bengali film industry’
Amit Dutta, the little-known most famous Indian auteur: ‘The kind of films I make should be sought out, not thrust upon people’
‘Kumar Gandharva was not just a musical genius but also a profound scholar & thinker’: Amit Dutta & Kuldeep Barve
MAMI 2024 | Midhun Murali: ‘We wanted Kiss Wagon to emulate the feeling of anime and the confusing subplots of religious books’
What to watch at MAMI Mumbai Film Festival 2024: ‘This year, MAMI is just MAMI, not Jio MAMI’, MAMI goes independent
IFFR 2024 | ‘Meera wanted Radha to exist, as a better version of herself, to reach Krishna’: Anirban Dutta
IFFR 2024 | Animator Ishan Shukla: ‘Ramayana is much better than The Odyssey or Game of Thrones because it is so tragic’
How this India-US womxn collective uses fiscal sponsorship to save the documentary film
Making of Joram: Manoj Bajpayee, Devashish Makhija & a big studio make the subaltern run
BIFFes 2023 | 'Family' and Don Palathara's 'grey cinema': Church, community, and the cunning
Review | Before Kantara came Meghdoot, Rahat Mahajan’s mythological tragic love story
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