HomeEntertainmentRegionalDid you know Rishab Shetty won a National Award long before Kantara for a film about language and identity?

Did you know Rishab Shetty won a National Award long before Kantara for a film about language and identity?

Rishab Shetty, who won the 2022 National Award for Best Actor for Kantara, had earlier earned a National Award for *Sarkaari Hiriya Praathamika Shaale, Kaasaragodu* (2018), celebrating language, identity, and cultural pride.

October 17, 2025 / 19:21 IST
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Did you know Rishab Shetty won a National Award long before Kantara for a film about language and identity?
Did you know Rishab Shetty won a National Award long before Kantara for a film about language and identity?

Rishab Shetty won the National Award for Best Actor in 2022 for his phenomenal performance in Kantara. But that wasn’t his first. He had earlier bagged a National Award for Sarkaari Hiriya Praathamika Shaale, Kaasaragodu (2018), a powerful film on language, identity, and cultural pride.

Rishab Shetty’s Sarkaari Hiriya Praathamika Shaale, Kaasaragodu isn’t just a film; it’s a heartfelt tribute to the people who fight to protect their identity, culture, and language against slow erasure. The story unfolds in a small government school on the Karnataka–Kerala border, where the right to learn in one’s mother tongue becomes a symbol of resistance. What makes the film stand apart is how it captures the human cost of such conflicts—the way teachers, students, and entire communities find themselves caught in circumstances far beyond their control, yet still manage to fight with dignity and humour.

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Released on August 24, 2018, the film spread through Karnataka like wildfire, marking Rishab Shetty’s signature blend of storytelling: rooted, entertaining, and emotionally sharp. Soon, theatres beyond state borders—from Kerala to Mumbai—were filling up with audiences drawn by word of mouth. The success was no accident. Shetty took a subject that could’ve easily turned into a lecture on linguistic politics and turned it into a lively, emotionally resonant tale about belonging and pride. Even in its most serious moments, the film refuses to preach. Anant Nag’s climactic monologue, for example, lands with conviction but never condescension.

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