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HomeEntertainmentDiljit Dosanjh wanted to wear worth Rs 21,000 Crore necklace at Met Gala 2025 but was denied due to...

Diljit Dosanjh wanted to wear worth Rs 21,000 Crore necklace at Met Gala 2025 but was denied due to...

Diljit Dosanjh dazzled at Met Gala 2025 in a regal Prabal Gurung ensemble, blending Maharaja Bhupinder Singh-inspired elegance with the theme “Superfine: Tailoring Black Style.”

May 07, 2025 / 18:11 IST
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Diljit Dosanjh wanted to wear worth Rs 21,000 crore necklace at Met Gala 2025 but was denied due to...

Punjabi music sensation and actor Diljit Dosanjh made a powerful debut at the Met Gala 2025, stunning the global fashion elite with an ensemble that was both regal and rooted in Indian tradition. Clad in a majestic outfit designed by Prabal Gurung, Diljit embraced the event's theme — "Superfine: Tailoring Black Style" — while celebrating his own heritage through a look inspired by the legendary Maharaja Bhupinder Singh of Patiala.

Diljit walked the red carpet in a flowing kurta-tehmat ensemble, paired with a traditional Sikh turban and an embroidered cape featuring Gurmukhi script. A ceremonial sword completed the Maharaja-inspired look, turning heads and earning applause for its cultural richness and sophistication. Yet, one element was conspicuously missing from his opulent homage — the iconic Patiala necklace.

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The Patiala necklace, commissioned in 1928 by Maharaja Bhupinder Singh from Cartier, is considered one of the most extravagant pieces of jewellery ever made. Set with over 2,900 diamonds, including a now-missing 234-carat De Beers diamond at its centre, the necklace originally weighed nearly 1,000 carats. At present valuation, it is worth over Rs 21,000 crore (approximately $2.5 billion), making it the most valuable necklace Cartier has ever crafted.

According to stylist Abhilasha Devnani, who helped conceptualize Diljit’s look, there was a genuine effort to feature the original Patiala necklace as the centrepiece of his ensemble. Unfortunately, their request was declined. “It sits sealed in a museum,” Devnani told The New York Times, explaining that the piece is too fragile and historically significant to be loaned for public appearances.