HomeBooksBook review: Architect who built Nirav Modi’s now-demolished seaside bungalow releases his memoir, and it’s gently funny

Book review: Architect who built Nirav Modi’s now-demolished seaside bungalow releases his memoir, and it’s gently funny

An architect's memoir: Over 30 years, Matharoo Associates founder Gurjit Singh Matharoo has worked with a wide cast of clients, to design luxury homes, temples, institutions. His memoir offers a peek into what's changed, and what's remained the same, in these decades.

October 21, 2025 / 17:20 IST
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Cover of 'Wit-Ness to Mat-Haroo Never Give Up Spirit: Short Stories Based on True Life Events' by Gurjit Singh Matharoo and Vagish Naganur; and (right) a reinforced concrete tower. (Image credit: Oro Editions and Wikimedia Commons)
Cover of 'Wit-Ness to Mat-Haroo Never Give Up Spirit: Short Stories Based on True Life Events' by Gurjit Singh Matharoo and Vagish Naganur; and (right) a reinforced concrete tower. (Image credit: Oro Editions and Wikimedia Commons)

There’s no getting around the fact that a key ingredient of an even-mildly interesting memoir is a life filled with instances that say something — about a business, a people, the times, the world, or some combination of these — of larger import than just the story of one person. Architect Gurjit Singh Matharoo’s decidedly interesting memoir — written by his self-appointed ‘sutradhar’ and one-time student at CEPT University, Ahmedabad, Vagish Naganur — offers glimpses into 30 years of architectural practice in India. True, these glimpses are all funnelled through Matharoo’s experiences. But there’s such a varied bundle of stories — and such a vast cast of often rich and sometimes infamous clients — here, that the 196-page book is easily digestible and can be quite the page-turner.

Sample this story: When presenting the design for a massive house to a now-dead “Don” in the 1990s, Matharoo draws inspiration from his heroes Le Corbusier, Japanese architect Tadao Ando, and Scarpa. After some initial success, however, his plan for an expensive-modern-building-with-a-river-running-through-it is summarily rejected as resembling a “tabela”. Matharoo has to eventually oversee a Victorian-style bungalow in place of his modernist dream-house. But he exacts revenge in the way that only an architect can: he makes the path to the prayer room crooked, to say their ways wouldn’t lead them to God. If Matharoo had misgivings about working for criminals, those misgivings seem to have been of the most practical variety, with takeaways like “you don’t say no to the underworld”.

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In another story, Matharoo is tasked with designing a “rocky riverfront” home. A mining licence is acquired, and attempts are made to close the distance between the house and the river using dynamite. When nothing else works, Matharoo dreams up the idea to flip the blueprint. It works.

In yet another story, he is keen on securing a view of a water body from his client’s holiday home but a tree in the neighbour’s yard stands in the way — here, his politically connected client comes to the rescue.