Don't judge a book by its cover is bad advice, at best - after all, there's an entire industry devoted to cover design. Designers, writers and editors spend days, sometimes weeks, to distill the idea of a whole book into an image that is evocative yet suggestive of what the book is about. A case in point is Outlive: The Science and Art of Longevity by Bill Gifford and Peter Attia - the talented Dr Attia has gone on record to explain how the book got its incandescent 'location pin' design.
Don't judge a book by the blurbs is just lazy advice - after all, blurbs are typically written by people who have some authority in that field or who are themselves likely to be interesting to potential readers of the book. Even the worst blurbs may be entertaining - sometimes precisely because they are so over the top and/or vague.
A couple of weeks ago, Moneycontrol Features columnist Sanjay Sipahimalani shared tips on how to pick a novel in a bookstore, starting with considerations like whether it's a hardback and sports a book jacket to what the preface says. Here, we propose going a step further: read two paragraphs each from these eight Booker longlisted novels, before devoting time and space to any of them - all excerpts are produced with permission from Penguin Random House and Canongate:
In the next town over, a man had killed his family. He’d nailed the doors shut so they couldn’t get out; the neighbours heard them running through the rooms, screaming for mercy. When he had finished he turned the gun on himself.
Everyone was talking about it – about what kind of man could do such a thing, about the secrets he must have had. Rumours swirled about affairs, addiction, hidden files on his computer.
***
In Ascension by Martin MacInnes
I was born in the lowest part of the country, 22 feet beneath the sea. When my sister arrived three years later we moved south into the city proper, Rotterdam’s northern district. The land was newly excavated, freshly claimed from the seafloor, dredged by ships and reinforced by concrete. Parts of the street came loose, the ground underneath still soft. I remember burning incense, a brackish smell indoors, as if every moment were a spell, a scene that had to be called into being.
The river beach was artificial, and when we walked over it I imagined underneath us was a hollow area, a huge chasm. We went there on weekends and on holidays, my father paying careful attention to the tides, never settling in one place but marching from one direction to another. I poured sand into my plastic bucket, compacted it, upturned it, did it again and again. ‘Don’t dig too deep,’ my father warned, before turning his vigilance back to the water.
***
Old God's Time by Sebastian Barry
Sometime in the sixties old Mr Tomelty had put up an incongruous lean-to addition to his Victorian castle. It was a granny flat of modest size but with some nice touches befitting a putative relative. The carpentry at least was excellent and one wall was encased in something called ‘beauty board’, its veneer capturing light and mutating it into soft brown darknesses.
This premises, with its little echoing bedroom, its tiny entrance hall, a few hundred books still in their boxes and his two old gun cases from his army days, was where Tom Kettle had in his own words ‘washed up’. The books remembering, if sometimes these days he did not, his old interests. The history of Palestine, of Malaya, old Irish legends, discarded gods, a dozen random matters that at one time or another he had stuck his inquisitive nose into. The stirring sound of the sea below the picture window had been the initial allure but everything about the place pleased him – the mock-Gothic architecture, including the pointless castellation on the roofline, the square of hedges in the garden that provided a windbreak and a suntrap, the
broken granite jetties on the shoreline, the island skulking in the near distance, even the crumbling sewerage pipes sticking out into the water. The placid tidal pools reminded him of the easily fascinated child he once had been, sixty years ago, the distant calling of today’s children playing in
their invisible gardens giving a sort of vaguely tormenting counterpoint. Vague torment was his forte, he thought. The sheeting rain, the sheeting sunlight, the poor heroes of fishermen trying to bring their rowing boats back against the ferocious current into the little cut-stone harbour, as neat and nice as anything in New Ross where he had worked as a very young policeman – it all seemed delightful to him. Even now in winter when winter was only interested in its own unfriendly harshness.
***
The House of Doors by Tan Twan Eng
Somerset Maugham woke up choking for air. Violent coughing rocked his body until, finally, blessedly, it subsided, and he could breathe again.
He lay in his bed inside the cocoon of the mosquito netting, waiting for his breathing to return to normal. There was the faintest aftertaste of mud on his tongue. He swallowed once, licking his lips, and the taste disappeared from his mouth.
***
A Spell of Good Things by Ayobami Adebayo
Caro was angry. After one of her apprentices read the notice of meeting out loud to her, she threw it across the room into a dustbin. Some politician’s wife wanted to give a talk to the tailoring association, and their president had agreed to welcome the woman during their next meeting. And, of course, the president thought it meant something to mention that this politician’s wife was the daughter of a tailor. Caro was almost sure this was a lie. Those people would claim to be your kinsmen if it would help them get into power. It irritated her that they would waste time listening to this woman campaigning for her husband. This was not why she paid her tailoring association dues.
Caro went to the dustbin in the corner of her tailoring shop. She retrieved the notice, tore it into tiny bits, and walked to her front yard to release the fragments in the air. She would let the association know what she thought at the next meeting. Not that anyone would listen or care. They all knew their president took money from politicians to host them at those gatherings. Closer to the elections, members of the association would get their own share of the sudden generosity of several contestants. Wives or sisters of contestants would come to meetings with bowls of rice, kegs of oil, yards and yards of ankara embossed with the contestants’ names, faces and logos. The men themselves—and the contestants were mostly men—never came in person to answer any questions about what they intended to do in office.
***
The Other Eden by Paul Harding
Benjamin Honey—American, Bantu, Igbo—born enslaved—freed or fled at fifteen, only he ever knew—ship’s carpenter, aspiring orchardist, arrived on the island with his wife, Patience, née Raferty, Galway girl, in 1793. Hebrought his bag of tools—gifts from a grateful captain he had saved from drowning or plunder from a ship on which he had mutinied and murdered the captain, depending on who said—and a watertight wooden box containing twelve jute pouches. Each pouch held seeds for a different variety of apple. Honey collected the seeds during his years as a field- worker and later as a sailor. He remembered being in an orchard as a child, although not where or when, with his mother, or with a woman whose face over the years had become what he pictured as his mother’s, and he remembered the fragrance of the trees and their fruit. The memory became a vision of the garden to which he meant to return. No mystery, it was Eden. Years passed and he added seeds to his collection. He recited the names at night before he slept. Ashmead’s Kernel, Flower of Kent, Duchess of Oldenburg, and Warner’s King. Ballyfatten, Catshead.
After Benjamin and Patience Honey arrived on the island—hardly three hundred feet across a channel from the mainland, just under forty- two acres, twelve hundred feet across, east to west, and fifteen hundred feet long, north to south, uninhabited then, the only human trace an abandoned Penobscot shell berm—and after they had settled themselves, he planted his apple seeds.
***
How To Build a Boat by Elaine Feeney
Jamie said: When I grow up I will be as tall as these trees and he sprawled fast like a salamander along a trunk. He climbed to the first branch when Eoin said: Whoa, Jamie, careful, and lifted the boy back to the ground.
Eoin, Jamie said, did you know that resin from trees makes arrow tops and they are so hard they can go right through you?
***
Study for Obedience by Sarah Bernstein
A BEGINNING A BEGINNING AGAIN
It was the year the sow eradicated her piglets. It was a swift and menacing time. One of the local dogs was having a phantom pregnancy. Things were leaving one place and showing up in another. It was springtime when I arrived in the country, an east wind blowing, an uncanny wind as it turned out. Certain things began to arise. The pigs came later though not much, and even if I had only recently arrived, had no livestock-caretaking responsibilities, had only been in to look, safely on one side of the electric fence, I knew they were right to hold me responsible. But all that as I said came later.
Where to begin. I can it is true shed light on my actions only, and even then it is a weak and intermittent one. I was the youngest child, the youngest of many – more than I care to remember – whom I tended from my earliest infancy, before, indeed, I had the power of speech myself and although my motor skills were by then scarcely developed, these, my many siblings, were put in my charge. I attended to their every desire, smoothed away the slightest discomfort with perfect obedience, with the highest degree of devotion, so that over time their desires became mine, so that I came to
anticipate wants not yet articulated, perhaps not even yet imagined, providing my siblings with the greatest possible succour, filling them up only so they could demand more, always more, demands to which I acceded with alacrity and discreet haste, ministering the complex curative draughts prescribed to them by various doctors, serving their meals and snacks, their cigarettes and aperitifs, their nightcaps and bedside glasses of milk. Of our parents I will say nothing, not yet, no. I continued to spend the long years since childhood cultivating solitude, pursuing silence to its ever-receding horizon, a pursuit that demanded a particular quality of attention, a self-forgetfulness on my part that would enable me to bring to bear the most painstaking, the most careful consideration to the other, to treat the other as the worthiest object of contemplation. In this process, I would become reduced, diminished, ultimately I would become clarified, even cease to exist. I would be good. I would be all that had ever been asked of me.
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